| 2026年5月24日 | 你是第70343140位来访者 | 在线1702人 |
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| 2026年5月24日 | 你是第70343140位来访者 | 在线1702人 |
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Catalogue Number:475 6185 Barcode: 0028947561859 Label: Mercury SACD-H Release date:3 April ARTISTS London Symphony Orchestra Antal Dorati TRACKLISTING ENESCO:Roumanian Rhapsody No.1, Op.11 LISZT:Hungarian Rhapsodies 1-6 This stunning recording opens with what has remained Enesco's most popular and enduring orchestral work, the First Roumania Rhapsody. The rest of the programme is devoted to Liszt's first six Hungarian Rhapsodies and the whole disc is conducted by one of MLP's principal conductors, Hungarian-born Antal Dorati (1906-88). The recording was made with the London Symphony Orchestra in sessions in June 1960 and July 1963. As with the great majority of MLP's stereo releases, the actual recording was made using three microphones - a stereo pair, plus a central microphone. The LP (and subsequent CD) stereo releases mixed the centre channel into the two outer channels. Now - and for the first time -- SACD's multi-channel capability enables all three discrete channels to be present on the disc, allowing the listener to hear the recording as it was originally taped (and as it was always intended to be heard, when future technology permitted). Enhancing this new opportunity is the significant additional fidelity gained through direct-to-DSD transfers from the original half-inch analogue masters, via DSD's much greater resolution, frequency response and dynamic range. In addition to this first-time presentation of the three-track original recording, the SACD also contains a high-resolution DSD stereo soundtrack, mixed to match as closely as possible the original LP stereo mix. Finally, as all Mercury Living Presence SACDs will be 'hybrid' releases, the SACD also includes a CD stereo soundtrack. |
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| 罗马尼亚的埃乃斯库(1881—1955)主要是被世人推崇为小提琴家而非作曲家的，虽然他也写过不少曲子，但只有这首《第一号罗马尼亚狂想曲》是经常被演奏的，而且它肯定算得上是不朽的音乐会经典曲目了。乐曲从一个相对缓慢的安详而悠扬的思乡曲调开始，越演奏越快，逐渐达到白热化的狂欢境界，那如火如荼的由小提琴带动起来的霍拉舞节奏和民歌曲调，听来令人极度兴奋。 相信没有什么人演奏这首曲子比多拉第更精彩了。虽然普雷文在EMI的一个演录听上去更为流畅，却毕竟少了些乡土气味。搞得太光淌了，缺少的正是多拉第在这张唱片里的有点糙手的质感—摸上去这应该是块亚麻布而不是绸缎。 这张CD的重头戏则是李斯特的六首《匈牙利狂想曲》。本来，总共19首《匈牙利狂想曲》是为钢琴写的，后来李斯特本人以及他的学生弗朗兹·多普勒，将其中的六首改编成乐队曲。它们像钢琴原曲一样的精神抖擞，而比钢琴原曲更为风骚、丰腴。乐队曲的第一至六号的顺序对应被打乱的钢琴原曲的序号，分别依次是：第十四、第二、第六、第十二、第五(《英雄的葬礼》)和第九(《佩斯狂欢节》)。其中第二首是最著名的。 |
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