| 2024年11月24日 | 你是第56058126位来访者 | 在线23672人 |
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| 2024年11月24日 | 你是第56058126位来访者 | 在线23672人 |
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RIVER / JIA PENG FANG 01. SHICHAHAI IN THE MORNING 02. MIRAGE OF THE FALL 03. RIVER 04. SILENT MOON 05. XINGLIN HUPAN 06. YUEYA WUGENG 07. MAYA 08. SONGHUA WANFENG 09. YUEYE 10. MINGTIAN DE HAIZI 注: 以下意译曲目 01. SHICHAHAI IN THE MORNING 什刹海之晨 02. MIRAGE OF THE FALL 梦迹沙河 03. RIVER 河 04. SILENT MOON 宁月 05. XINGLIN HUPAN 杏林湖畔 06. YUEYA WUGENG 月牙五更 07. MAYA 麻耶 08. SONGHUA WANFENG 松花晚风 09. YUEYE 月夜 10. MINGTIAN DE HAIZI 明天的孩子 |
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| 旅日二胡音乐家贾鹏芳先生，与日本和月公司合作，于98年之时，推出了他在和月的第一张个人专辑<河>， 这张专辑的推出，不啻为贾先生音乐生涯中另一高峰的开创。 以传统的二胡，佐以丝竹管弦，西式乐器，及电子合成乐配器，这样的表演方式，贾先生决不是首位执行者，而河也不是他第一次作此尝试，但无庸至疑的，河的亮眼成绩确实为贾先生在和月公司奠下了销售票房保证的地位。 全碟由京田诚一担当制作大任，他个人也负责了六首曲子的创作，及其它曲的编曲，曲六的「YUEYA WUGENG」和曲九的「YUEYE」，则是改编自同名的中国二胡乐曲「月牙五更」及「月夜」，其它则是出自贾先生本身的创作。 日升日落，星月交辉，二胡的河流，静静流过山林，拂动晚风。轻轻的，什剎海的晨光揭开了一切的序幕，那悠美的波光粼粼，碧水青山相映成趣...回首筝音数串轻弹，声声如梦似幻，牵引丝丝柔情似水，魂牵梦萦沙河故地旧人；远方传来阵阵清新的呼唤，惊醒了正发梦的痴人， 阵阵规则的音乐律动，唤起了大河民族的磅礡生命，长长的河，流过耳际，流过心灵，流过山野，流过城乡，流过有限的空间， 流过历史，流过无垠的时间，孕育多少傲人文明。回响在耳边的音符，化为眼前那条长河，缓缓，缓缓，缓缓...在虚与实的有限无限里，依旧静静流去…曲四的宁月，在贾先生之后的二胡精选当中亦有收录，已然成为一家之代表作，风吹静夜动，尺八幽幽，衬托出宁静的夜里，静愈趋静，清冷的月色之下，无言地陈述一幕幕的生离死别，愁入心扉。 接下来的杏林湖畔，由钢琴优雅的引领人来到了另一个写意空间，漫步在清冷寂静的湖畔，二胡游走，与琵琶点点弹拨，谱绘出一片杏花春雨江南风光，绮丽而浪漫，最是醉人心神。曲六的Yueya Wugeng我之前有提到过，改编自中国同名二胡曲月牙五更，原来是在东北民间广为流行的民歌，后来经刘明源编曲润饰，原曲所唱的内容为民间故事「梁山伯与祝英台」，后来经沈阳歌舞团改编成大型情景舞剧，成为歌咏黑土地的生命之歌，充份地揭示和表现出东北地区人民顽强的生命力；贾先生在此，以非常欢快的手法来演奏这首生命之歌，赋予此曲蓬勃的力量，可能也是由于曲风如此轻松活泼之故，日本动画大师宫崎骏的作品ホーホケキョ となりの山田くん（中文名：邻居的山田君）， 就收录了此曲作为其中的插曲。 曲八的松花晚风，和杏林湖畔一样，是出自于贾先生的手笔，二胡在合成器的节拍下，以轻松的方式，呈现了向晚和风徐徐迎面的吹拂， 聆听这首曲子，有如实地感受到清风拂身所带来的通体舒畅。Yueye月夜，是全碟中改编自中国二胡曲的第二首，月夜算是非常有名的经典二胡曲，相信对民乐略有接触的朋友们应当都不陌生才是；由刘天华先生，作于1918年，透过对皓月当空的描写，间接隐隐地表达出一种淡淡的惆怅。贾先生的这个版本，二胡处理的很细腻，一如传统演奏方式，款款铺陈衍展，表达出那种一唱三叹，特别值得一提的就是添加了较多的配器部份，电子合成器造成的朦胧月色在空气中飘荡，筝意的如水沁凉吹拂，都使乐曲的层次感更加丰富，也增添了戏剧性的张力。 结束曲明天的孩子，作为贾先生在和月第一张发行专辑的ending曲，由曲名揣测，不得不作有一种对未来的期许与展望之感。 音符像眷顾着儿女的父亲母亲，随着旋律飘出，温和低语，细细述说，充满慈爱；盼着望着，想着念着，那望子成龙，望女成凤的慈祥父母形象不自觉地跃然纸上，栩栩如生来到眼前……［TW音响论谈］ ……… The star of the album is niko", one of the traditional string instruments from China. There are many instruments in the lute category that are played with the bow rubbing against the instrument which produce the sounds, such as batokin" from Mongol, hegum" from the Korean peninsula and many others just from Asia alone. As for Europe, might not we say that violins are representative of string instruments there? It is said that instruments were played initially to imitate the human voice. If that is so, niko is the perfect instrument to express the melodies of the Asian continent in the tones of this continent. From the lowest to the highest, the tones stretch expansively and they conjure up in the listener's minds, images of the broad and slightly red tinted skies and the green fields of the Asian continent and the people living tranquil lives there surrounded by the rich natural landscapes. Of the songs contained in the album, only the six piece and the ninth piece are pure Chinese classics, these being, YUEYA WUGENG" and YUYEYE" and the rest are all original works created for this album. And despite the abundance of Western harmonies and Instruments such piano and guitar, the sounds produced by niko maintain the gentle and the sweet melancholy tones of the Orient and express the great openness of the pastoral life in the Asian continent. The other star of the album, Jia Peng-Fang, is a niko player representative of China, or rather of Asia as can be noted in the profile and perhaps it is his gentle sweet character reflected in the performances that make us feel so much at peace with ourselves as we listen. Also Seiichi Kyoda who was in charge of the musical arrangement of all the pieces in the album and composed six, got on really well with Jia and they made a great team together. Seiichi was also able to make a natural connection to the instrument niko, making it possible for him to create the perfect melody makeup and arrangements for the work. This in turn, made the music more accessible for us who have little chance of ever hearing such an instrument. The title is River" so why not listen to the album and let ourselves feel like we are on a small boat floating down the Yellow River, looking at the fantastic landscapes on the river coasts as we go |
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